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D. Ramirez is a name that has been synonymous with cutting edge, forward thinking sound since the release of ‘that’ genre defining remix of Bodyrox’s "Yeah Yeah" in 2006. But it’s the rich tapestry of production that followed that continues to entice tidal waves across the dance music industry. Groundbreaking releases on Toolroom, such as 2009’s underground anthem "Downpipe" with Underworld & Mark Knight, and the ground-breaking Cevin Fisher collaboration ‘Restless’ in 2012, was a catalyst for the explosion of the recent ‘G-House’ scene. He has achieved five Top 20 hits, and appeared on BBC Television's music program, Top of the Pops, his highest standing in the mainstream music scene was his remix of Bodyrox's "Yeah Yeah", which earned him an Ivor Novello Award nomination.

Harry “Choo Choo” Romero is one of the true pioneers of house music. He has been associated as an artist and producer on some of the biggest house records to date. As a member of several production groups including ‘Ministers De La Funk’ and the ‘Dronez’ which both include Subliminal Records Erick Morillo and Jose Nunez, Harry helped shape cutting edge house sounds that continue to this day. Some of his most famous and classic tracks include: “Hazin and Phazin” and the massive “Believe” which featured the mighty Jocelyn Brown. Harry has worked with a whole host of legendary labels including Toolroom, Ovum, Saved, Sondos, Gossip, Strictly Rhythm, Defected, Perfecto and AM:PM.

The Moog Mother-32 is a very popular starter instrument for those looking to get into modular synthesis. It contains a capable one-oscillator synthesizer voice with a Moog design filter, as well as surprisingly full-featured step sequencer. Best of all, it's a semimodular synth in that all of its components are already wired together and able to create sounds right out of the box.

Play famous rock songs on your harmonica, understand music and be able to jam with friends and with your favorite music

Brian Wallace of DUBROBOT takes us on a musical journey. This episode explores the use of tactile sounds in music. We discuss reggae with a heavy influence on dub, and the history of reggae and dub. Brian also has some amazing insight into approaching the studio from a philosophical stand point, including his explanation of feeling and hearing the music. SubPac was also in the house to teach us about this great innovation for the engineer, producer, and mixer.

This volume documents the 19th edition of the biannual "International Association for the Study of Popular Music". In focus of the conference were present and future developments.
For example, the diminishing income potential for musicians as well as the recording industry as a whole, concurrent with the decreasing relevance of popular music in youth culture. This is where computer games and social media come to the forefront. At the same time, the research of popular music has emancipated itself from its initial outsider.

Eli Krantzberg delivers in-depth video tutorials about Output's latest smash hit virtual instrument, Analog Strings. Learn all the features and functions as well as how to get creative and dial-in standard and other-worldly string sounds and parts!

Eli starts off with the interface and how to load and browse presets, followed by layering sounds, and looping sources. Synth parameters such as Amp Envelopes, Pitch Mod, Mono, Glide and Color are all explained, as well as videos on all the effects and how they each add to your sound.

Sonic Academy proudly welcomes back underground house scene legend Paolo Mojo for an all-new course in How To Make Space Disco.

Using Logic Pro, Paolo shares his wisdom and production techniques while creating this track that has earned him global success in the industry. Influenced by the likes of Nu-Disco master Lindstrøm , Todd Terje, Prins Thomas and Vitalic he starts with the lead and moves on to bass, drums, pads, chords, and effects, and finishes off with the arrangement and mastering.

This week Sonic Academy welcomes professional sound designer, producer and founder of 'Let's Synthesize' YouTube channel Dan Larsson to give us the lowdown on iZotope's distortion plugin Trash 2.

This book offers comprehensive coverage on the most important aspects of audio watermarking, from classic techniques to the latest advances, from commonly investigated topics to emerging research subdomains, and from the research and development achievements to date, to current limitations, challenges, and future directions. It also addresses key topics such as reversible audio watermarking, audio watermarking with encryption, and imperceptibility control methods.

MASCHINE guru Sami Rabia breaks down the all important Audio Mixer section of Native Instruments MASCHINE. From setting up your ins and outs, using the internal mixer and its functions, utilizing Aux Sends and Busses for effects and more, Sami has you covered!

EQs, compressors, pitch shifters, transient shapers, reverbs, and delays are just a few of the powerful tools an engineer may use while recording and mixing. Knowing how to use these powerful analog and digital processors is key to achieving great results when recording and mixing.

Jason be using Ableton during the calls, but anything he shows can easily be applied to any other program (Logic, FL Studio, Cubase, etc.).You can use any DAW you’d like! We wouldn’t recommend switching your platform just for this course.

A downloadable workbook accompanies the class with lesson recaps and supplemental materials.

Mix engineers know what it’s like to put a lot of work into a mix, anticipate a review, and then receive feedback filled with descriptive notes from industry execs. Inside the remarks is an intent that needs to be deciphered so that the right adjustments can be made to achieve the intended sound. Likewise, industry execs—managers, agents, or interested parties—also want to make sure the comments conveyed to the mix engineer use the lingo commonly used across studios in industry. This course helps both: mix engineers can learn how to interpret the meaning of comments and then modify a mix accordingly, and executives can learn how to provide constructive notes using industry-standard terminology, resulting in simpatico communication that ultimately elevates the quality of music being mixed.