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One extremely powerful plugin that you can’t miss out on if you own FL Studio 12 is Maximus. If you know how to use it effectively, this multiband compression/limiting tool will quickly become a go-to device during the mixing and mastering portion of your productions.

Processing and treating your vocals properly is extremely important if you want your tracks to sound professional. Knowing how to do this, however, can be tricky for many producers.

It’s no secret that FabFilter has some of the best mixing and mastering plugins out there. Their intuitive user interface and powerful abilities make them a go-to for many – especially when it comes to processing and mixing vocal tracks.

Although extremely powerful, FabFilter plugins are also very extensive and complex. Understanding every feature and function within them takes plenty of practice and patience!

FL Studio 12 is the primary DAW for thousands of producers. Continuously polished and refined over the years, it comes packed with tons of features and programs that make producing fun and efficient.

The art of mastering is a complex and dynamic discipline. No two tracks are the same and different songs may require completely different mastering approaches; it’s extremely important to train your ear and understand the tools available to you, so you can tackle any sonic situation!

The first comprehensive, fully-illustrated approach to the voice that explains the anatomy and mechanics in detailed yet down-to-earth terms, for voice users and professionals of all kinds

Effective, impactful mixing takes tons of time and practice. You have to train your ears and thoroughly familiarize yourself with the mixing plugins and tools available to you if you want to improve the sonic quality of your tracks!

FL Studio 12 has no shortage of complex, powerful stock instruments. With your purchase of this DAW, you’ll gain access to several high-level synths that can achieve amazing results if you know how to use them.

Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms, Third Edition explains the physical and perceptual processes that are involved in sound reproduction and demonstrates how to use the processes to create high-quality listening experiences in stereo and multichannel formats.

Immersive Sound: The Art and Science of Binaural and Multi-Channel Audio provides a comprehensive guide to multi-channel sound. With contributions from leading recording engineers, researchers, and industry experts, Immersive Sound includes an in-depth description of the physics and psychoacoustics of spatial audio as well as practical applications. Chapters include the history of 3D sound, binaural reproduction over headphones and loudspeakers, stereo, surround sound, height channels, object-based audio, soundfield (ambisonics), wavefield synthesis, and multi-channel mixing techniques. Knowledge of the development, theory, and practice of spatial and multi-channel sound is essential to those advancing the research and applications in the rapidly evolving fields of 3D sound recording, augmented and virtual reality, gaming, film sound, music production, and post-production.

In this course you will discover the application and creative use of multiband processing using Live 10’s native multiband dynamics device and mid side processing. These techniques are applicable to any genre of electronic music and are guaranteed to improve the quality of your sounds and your overall mix.

Bitwig’s Phase-4 utilizes phase distortion and phase modulation synthesis to shape sound in very unique ways. Learn how to get the most out of this four-oscillator synth in this in-depth course by Bitwig Certified Professional, Thavius Beck

Larry Carlton, Robben Ford, Scott Henderson, and Oz Noy are just a few examples of top notch guitarists who are widely respected for jazzing up their blues improvisations with jazz phrasing and tonalities. On the other end of the scale, most students of blues guitar struggle when it comes to jazzing up their blues lines because they haven’t yet been exposed to jazz harmonies and melodic approaches.

Industry pro engineers, mixers and producers Bob Horn and Erik Reichers return with their second episode of Mix Review! Watch as they take a recordist’s non-pro mix and import it side by side into their DAW, and show you in-detail, how they would approach the mix in real-time, from start to finish. Get priceless tips and see where the improvements can be made and how to make them, creating a true professional, radio ready mix.