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The guitar is the absolute best instrument you could learn for a large number of reasons. It’s mobile, cheap, and just awesome. The guitarist in the band always gets the most kudos, no question about it. But wait, there is a problem… Getting a guitar is not enough, you also need to learn how to play it somehow.

You want to learn piano, but don’t know where to start? We can help. This book gives you everything you need to know to get going, safe in the knowledge you’re doing it right. When you’re starting out with the piano, there are some basics that everyone needs to know. Here are some of the most important things, including a glossary of key terms, and some basic techniques.

You want to learn piano, but don’t know where to start? We can help. This book gives you everything you need to know to get going, safe in the knowledge you’re doing it right. When you’re starting out with the piano, there are some basics that everyone needs to know. Here are some of the most important things, including a glossary of key terms, and some basic techniques.

Make your own sounds quickly on any synthesizer, anytime, anywhereLet's face it. You want to make awesome sounds for your track, but they often end up extremely weak and underwhelming. That's why EDM producer and best-selling author Cep from Screech House shares the essential basics of synthesis you must understand first to achieve high-quality sound design. Only available within this book.

From its dynamic start at dance parties in the South Bronx in the late 1970s, hip hop and rap music have exploded into a dominant style of popular music in the United States and a force for activism and expression all over the world. So, too, has scholarship on hip hop and rap music grown.

Aural Education: Reconceptualising Ear Training in Higher Music Learning explores the practice of musical ‘aural training’ from historical, pedagogical, psychological, musicological, and cultural perspectives, and uses these to draw implications for its pedagogy, particularly within the context of higher music education.

The music industries are fueled by statistics: sales targets, breakeven points, success ratios, royalty splits, website hits, ticket revenues, listener figures, piracy abuses, and big data. Statistics are of consequence. They influence the music that consumers get to hear, they determine the revenues of music makers, and they shape the policies of governments and legislators. Yet many of these statistics are generated by the music industries themselves, and their accuracy can be questioned. Music by Numbers sets out to explore this shadowy terrain.

All music fans harbor in their memories vivid fragments of their favorite works. The starting guitar solo of "Satisfaction" by the Rolling Stones, the da-da-da-DUM gesture that opens Beethoven's Fifth Symphony, the lush swelling chords of a beloved movie soundtrack: hearing the briefest snippet of any of these is enough to transport listeners into the piece's sonic and emotional world. But what makes musical motives so powerful? In Musical Motives, author Brent Auerbach looks at the ways that motives the small-scale pitch and rhythm shapes that are ever-present in music unify musical compositions and shape our experiences of them.

This book explores the transformation of ideas of the material in late twentieth- and early twenty-first-century musical composition. New music of this era is argued to reflect a historical moment when the idea of materiality itself is in flux. Engaging with thinkers such as Theodor Adorno, Sara Ahmed, Zygmunt Bauman, Rosi Braidotti, and Timothy Morton, the author considers music's relationship with changing material conditions, from the rise of neo-liberalisms and information technologies to new concepts of the natural world.

Musical notation is a powerful system of communication between musicians, using sophisticated symbolic, primarily non-verbal means to express musical events in visual symbols. Many musicians take the system for granted, having internalized it and their strategies for reading it and translating it into sound over long years of study and practice. This book traces the development of that system by combining chronological and thematic approaches to show the historical and musical context in which these developments took place. Simultaneously, the book considers the way in which this symbolic language communicates to those literate in it, discussing how its features facilitate or hinder fluent comprehension in the real-time environment of performance. Moreover, the topic of musical as opposed to notational innovation forms another thread of the treatment, as the author investigates instances where musical developments stimulated notational attributes, or notational innovations made practicable advances in musical style.

In this edited volume, contributors explore an essential element of the influential television series Twin Peaks: the role of music and sound. From its debut in 1990 to its return to television in 2017, Twin Peaks has amassed a cult following, and inspired myriad scholarly studies. This collection considers how the music and sound design not only create the ambience of this ground-breaking series, but function in the narrative, encouraging multiple interpretations. With chapters that consider how music shapes the relationship of audiences and fans to the story, the importance of sound design, and the symbolism embedded in the score, this book provides a range of perspectives for scholars of music and film studies, while giving fans new insight into an iconic television show.

This handbook provides an evidence-based account of psychological perspectives on issues in music education and music in the community through the life course, exploring our understanding of music learning and participation across contexts.

In this book, Ludovica Grassi explores the importance of music in psychoanalysis, arguing that music is a basic working tool for psyche, as words are composed of sound, rhythm and intonation more than lexical meaning.

Master the blues on your mandolin. Take your blues mandolin playing to the next level with the Mandolin Blues Book. A collection of 101 blues riffs and solos ideal for all mandolinists looking to get a good grasp of jamming the blues.

"101 Riffs and Solos" is arranged for the four-string fretted or fretless cigar box guitar tuned to GDGB. An excellent resource for beginners and a good review of useful techniques for players of all levels and styles, including blues, rock, country, popular and more. The riffs cover all the main slide techniques needed to improve your playing. Lesson tips and playing instructions are included for each of the 101 riffs and solos.