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Aparillo is an advanced 16-voice FM synthesizer, tailored for majestic sonic motions. A clever arrangement of synthesis, wave shaping, filtering, FX and modulation unfolds into a serious sound design tool for epic sonic creation. Make sure to check out the Orbiter, a mass-controller for immediate, instant blockbuster sounding themes.

For the professional musician… everything you NEED. For the amateur musician… everything you WANT. This full-version is the showcase edition in the FORTE 9 line of products, and provides high quality function and operation. The sky’s the limit and the possibilities are endless with FORTE 9 PREMIUM!

The Pumper Compressor plugin only has one knob and a slider for you to choose the type of compression. Do not be fooled by the simple interface.

With the Punchy style of compression, you’ll be able to get all those drums and synth to hit hard by adding punchiness and clarity to the sounds. This type of compression is great for drums or sounds that require good attack transient.

Pumper Saturatoris going to be your next go-to plugin for distortion and saturation.

With its easy-to-use graphic interface, you’ll be able to saturate and give some warmth your sound with just one knob. It’s just as easy as that. It can go from a light saturation to full-on distortion when you crack the amount of the saturation. It just sounds great as an effect to any sounds including vocal, drums, bass and more!

Pumper Stereo Imager is a stereo image processing plugin which enables you to create wideness within your mixes.

With this simple yet effective plugin you're able to add width to your sounds by using one single knob, without creating phasing issues in the mix. This great technique can be used in any scenario, whether it be applied to single or grouped tracks during the mixing and mastering process.

MODIFIED 8-BIT MADNESS
Captures the spirit of the chiptune and 8-bit scenes for any music style
A unique assortment of circuit-bent sounds, distorted leads, and noises from modified video game consoles and classic computers
Includes complex MIDI patterns based on classic arcade games

Vandelay provides three separate delays in as many frequency regions. Each delay has an LFO that modulates the pitch of the audio stream. Together with tempo based delay times and feedback control you can create a very rich sound from almost any source. Sporting a clever, responsive and intuitive user interface, Vandelay is easily controlled and you will almost certainly get the hang out of it in minutes!

Tines emulates an electric piano. With internal effects like a stereo tremolo, a multiband distortion panel and a subtle roomy reverb, Tines can sound like anything between a dreamy slick Rhodes to a nasty Wurlitzer (however, it is not designed to be a ”vintage” emulation, but a modern and playable instrument). A fine-tuned velocity curve makes Tines a true joy to play on a MIDI keyboard.

Baervaag* is a fairly simple FM synthesizer with one carrier and one modulator. The oscillator waveforms can be modified seamlessly between sine wave to pure square wave with PWM (pulse width modulation).

PressIt is a very sophisticated dynamic tool, best used as a master plugin, or to tighten up bus masters. It works really well on drums, but also background vocals or other stems that need to be tamed will fit well.

PressIt consists of three compressors who work independently of each other. They are fed with the low, mid & high frequency band of the incoming audio signal. The compressor units consist of our unique algorithm from Korvpressor, developed together with engineers from KTH (Royal Institute of Technology) in Stockholm. They gently shape the three signals (with full control), and then sums it back into a nice unity. Before the audio leaves the plugin, there’s an optional brick-wall limiter to prevent digital distortion.

Pads is a thriving and organic pad synthesizer. It consists of a wavetable synth with a noise/grain generator and a high cut filter. With a carefully developed ”wobbler” that detunes the waveforms and makes very small inconsistencies to several internal parameters and a nice sounding chorus, this synthesizer is able to create some really interesting and non-statical pad sounds.

This fully featured monophonic synthesizer can create a huge variety of sounds. Fat basses, stabby leads, glitchy noises, old style chip tune sounds (including arpeggios), weird percussion, you name it. Enkl does the job!

Enkl comes with 93 high quality factory presets, all crafted by professional music producers. Of course it is possible to create new ones and save.

Haaze provides two different ways of making a mono (or a not-wide-enough-stereo) signal to a wider stereo signal.

By splitting the input signal into 16 different frequency regions, spanning from 20 Hz to 20kHz, Haaze can add different amount of stereo-widening to different frequency regions. This makes it possible to transform a mono track into a natural sounding stereo track (by for example keeping lower frequencies in mono while spreading the higher ones).

We are proud to present the RealLPC virtual guitar instrument bringing the incomparable Les Paul Custom Guitar sound to your studio.

Gibson's Les Paul Custom, a higher end variation of the Gibson Les Paul guitar has been used by the majority of world famous musicians, spanning generations and genres, such as Wes Montgomery, Al Di Meola, Pat Metheny, Chuck Berry, Jeff Beck, Peter Frampton, The Beatles, The Rolling Stones, Led Zeppelin, B.B.King, Bob Marley, Eric Clapton, Carlos Santana, Gary Moore, Eddie Van Halen and many others.

Esspresso is a fast, beautiful & powerful de-esser for everyone doing audio recording. De-essers have previously been aimed towards highly professional audio producers that needs full control over the sibilance (high frequency noises) in their mix. These noises can bring trouble to your overall sound – for example if you want a ”crisp” tone to the voice and add the EQ, the S’s will eventually distort and make it hard to balance the mix.

The uniqueness of Esspresso is that the detection frequency range isn’t coupled with the suppressors frequency range. That means you can listen to a specific frequency and compress another one, which is often what you’ll want from a professional de-esser. With a fast and accurate frequency response view, you will easily get full control over annoying S-sounds that otherwise can ruin the mix.