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If you're looking to complement the legendary rock 'n' roll sound of the SSL 4000 E included with Console 1, then check out the super clean sound of the equally revered XL 9000 K.

The crystal-clear sound of Weiss for Console 1. It's here. One of the most highly requested components for Console 1 makes its debut. Introducing the Weiss Gambit Series for Console 1. A painstaking extraction of the top features from two of the most admired digital processors, Weiss DS1-MK3 and Weiss EQ1 - plus characteristic extras - the result is the clean, sharp channel strip engineers everywhere have been waiting for.

A powerful and musical modern channel strip with the unique vintage sound of Chandler Limited®. The Zener-Bender for Console 1 combines the crisp and colorful character of the Curve Bender mastering equalizer with the big, punchy Zener Limiter to bring class, history, and most crucially of all, a phenomenal sonic impact.

Building on the success of Softube Console 1 was never going to be easy. But like you, we believe in ambitious dreams. To further improve the epic workflow advantages Console 1 brings, we had to ask, “where can we go next?” The answer was clear, and the result is here.

The Rolls-Royce of rock & roll mixing. Add body and character to your tracks with a Console 1 strip inspired by classic British units from the '60s and early '70s - collecting the most coveted and distinctive sounding units of the pro audio world in a single channel.

Dream big, sound bigger. Gut-busting drums. Crackling, searing, face-melting guitars. Meaty, punching bass. Rich, up-front vocals. Wide-open, airy, living electronics. If you will it, it is no dream with the American Class A.

A totally unique hybrid between hardware and software, Softube Console 1 gives the best of both worlds, and redefines mixing in the DAW-based studio. Quickly switch between your tracks and control EQ, compressor, gate and more. Mix with the sound of the included Solid State Logic SL 4000 E. Or customize your channels to fit your needs - there are over 70 Console 1 ready plug-ins available from Softube and Universal Audio.

Haunted Guitar is a VST/VST3/AU instrument created with a multi-sampled Fender Stratocaster Plus Deluxe Electric Guitar, each preset contains 28 samples processed with various high quality effects to achieve dark and spooky guitar sounds.

Mammoth is a powerful yet intuitive bass plugin featuring two-band signal processing that includes a bass maximizer, 3 types of drive, a tone stack, cabinet simulations and much more.

The Marshall JMP 2203 was introduced in 1975. It quickly replaced the Plexi as the go-to Marshall amp and became the amp against which all other rock amps were compared. Artists who used it included Jeff Beck, Andy Summers, Tom Morello, AC/DC, Mötley Crüe, Judas Priest, Slayer, the Pixies, and more.

All-access pass to the Marshall sound. Marshall Cabinet Collection is a collection of 8 classic, rare, and handwired speaker cabinets by Marshall exclusively available for Amp Room, the pro audio guitar and bass platform.

Bass Amp Room was designed to handle all your bass amp needs, from dirty rock to modern clean, keeping two equally important goals in mind. The first was to give the user the best possible sound quality. The latter was to create an intuitive plug-in which allows for a really fast work flow. Time is money, but cutting down on time shouldn't mean you have to accept poor results.

Straightforward and simple, Vintage Amp Room emulates three carefully selected guitar amps in a complete studio set-up with speaker cabinets and fully flexible microphone positioning.

Metal Amp Room was designed to bring you the most brutal, evil and aggressive sound that is possible to squeeze out of your DAW. It was co-developed with Patrik Jensen (The Haunted) and tailored to his needs. The continuous mic placement from Vintage Amp Room is back, but this time with twin mics with adjustable stereo panning. Get a huge stereo sound with complex adjustable phasing effects, a plain old one-mic-right-against-the-cone, or anything in between. The cabinets were measured in the In Flames studio (previously known as Studio Fredman) by Tue Madsen and Patrik Jensen.

Thrash metal is visceral, energetic, aggressive. Getting the right depth and texture of sound, the right bite in the attack, the right snarl on the tail, is essential. You need an amp like a wild animal, like a fighter, like a beast.