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The GHAMMY effect is inspired by the famous guitar / bass pedal WhammyTM where we have enhanced the original with more features in the same vain. GHAMMY includes three fundamental modes: pitch shifting (GHAMMY), harmonizer (HARMY) and DETUNE.

The most common classical digital and analog reverb effects are linear. A Non-linear reverb gives an extra burst of the energy to each hit and extends the feel of the rhythm and expressive dynamics in a perfomance.

ECRUOS is a Delay effect with up to 16 configurable taps include smoothing of delay time changes. We present a new delay type to Reason Rack Extension - Tap Delay.

DyingStar Polysynth comes to the Reason Rack. 3 Oscillators with 120 basic wavetables (+50 Lead WT / 40 Sub WT) and a Sub-Oscillator with 40 WT. Each Osc includes a waveform range fader and waveshapers with 6 different waveforms.

DROP'N'LIFT is a creative multimode semitone transpose effect, that can help you re-tune your instrument from 1 semitone (halfstep) up to 2 octaves up or down and much more.

Introducing a new Comb filter with positive/negative morphing in Rack Extension format. Comb filters usually reshape waveforms, ending up with a signal that resembles a comb shape.

CUSTOM VIBE is a modern variation of a classical organ and guitar effect, and one of the most unique effects ever created. The original Uni-Vibe (TM) pedal was designed in 1968 by a Japanese company. The main idea was to recreate the Doppler effect, or the sound of a rotating speaker, but the result turned out to be a different sound.

Introducing CRONUS, a new time-modulation effect that includes 3 effect types in one: Chorus, Flanger and Tremolo. All of these effects are time-modulated delay effects. When guitarists talk about modulation effects, they are referring to effects such as Chorus, Flanger, Tremolo, Vibrato and other delay based effects. For example, Tremolo produces effects that are described as "lush, warm, and roundly pulsing.

The Coriolis effect is a force that causes objects in motion to deflect in relation to a rotating reference frame. Turn2on "Coriolis Force" changes the equation of motion for your incoming signal using a number of parameters. Changing the filter frequency and pitch shift parameters downwards / upwards moves your signal to a different location. The hold button stops time, whilst at the same time allowing the main signal to take its own trajectory.

CATALYST 2, a new version of the hybrid multi-filter. The main function of the device is centered on the "LP/HP Morphing Filter" section. Here you can customize the LowPass and HighPass filter parameters individually, using the LP / HP filter morphing with Cutoff. The available independent settings of the LP / HP filter parameters are Resonance, Frequency, and Boost Shelf-filters.

BLUEDEPTH is a modern creative effect which produces Epic Motion Reverberations. The device centers on the AirVerb, UnderwaterVerb and Submersion sections. AirVerb: The crystal and airy part of the BlueDepth effect. This section produces beautiful additions to the processed signal ranging from short to amazingly long decay reverberations which add an element of rich sea breath to the sound.

Blackpole Station is a new polyphonic synthesizer for Reason Propellerhead. Based on 68 waveforms in 5 oscillators (plus three sub-oscillators with 7 detuned saw and square waveforms). Now also containing 4 ROMs. Breaking this down in addition to a separate noise and ring oscillators we have included three main audio sources that can be classic analog oscillators or digital waveforms, one of which is for dedicated sub audio. Each of these main audio sources has a secondary X7 oscillator for blending in weight and energy. This is a deep system of OSCs, Filters, LFOs, Envelopes, Effects and other elements of synthesizer that we have named Blackpole Station.

A State-Variable Filter is an active filter that uses multiple feedback techniques to produce filter responses (LowPass, BandPass and HighPass) from a single filter with user selection.

Introducing a new overdrive effect with a nice range of destruction colors. It is not just an Overdrive, but a much more complex hybrid effect for any kind of sounds. An Overdriven signal can sound even more interesting if it uses a compressor. These days you can find a few interesting solutions with the use of guitar effects pedals. Many people find this effect very useful to destroy the signal, correcting it in a few ways, and then compressing it. ANGRYCOMP can be easily used to change the sound of a piano, pad, or other similar sound sources into a very hard sound, like a distorted guitar.

FXpansion's Tres is a monosynth Rack Extension for Reason featuring DCAM circuit-modelling technology and advanced TransMod modulation. Tres' complex oscillator timbres are sculpted by filter and VCA sections full of warmth and characterful tone. All important parameters can be modulated with internal LFOs and envelopes or external CV sources to produce fresh and original bass, lead, percussion, drone and FX sounds. Tres comes complete with over 200 presets curated by Nucleus Soundlab.