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Pumper Stereo Imager is a stereo image processing plugin which enables you to create wideness within your mixes.

With this simple yet effective plugin you're able to add width to your sounds by using one single knob, without creating phasing issues in the mix. This great technique can be used in any scenario, whether it be applied to single or grouped tracks during the mixing and mastering process.

MODIFIED 8-BIT MADNESS
Captures the spirit of the chiptune and 8-bit scenes for any music style
A unique assortment of circuit-bent sounds, distorted leads, and noises from modified video game consoles and classic computers
Includes complex MIDI patterns based on classic arcade games

Vandelay provides three separate delays in as many frequency regions. Each delay has an LFO that modulates the pitch of the audio stream. Together with tempo based delay times and feedback control you can create a very rich sound from almost any source. Sporting a clever, responsive and intuitive user interface, Vandelay is easily controlled and you will almost certainly get the hang out of it in minutes!

Tines emulates an electric piano. With internal effects like a stereo tremolo, a multiband distortion panel and a subtle roomy reverb, Tines can sound like anything between a dreamy slick Rhodes to a nasty Wurlitzer (however, it is not designed to be a ”vintage” emulation, but a modern and playable instrument). A fine-tuned velocity curve makes Tines a true joy to play on a MIDI keyboard.

Baervaag* is a fairly simple FM synthesizer with one carrier and one modulator. The oscillator waveforms can be modified seamlessly between sine wave to pure square wave with PWM (pulse width modulation).

PressIt is a very sophisticated dynamic tool, best used as a master plugin, or to tighten up bus masters. It works really well on drums, but also background vocals or other stems that need to be tamed will fit well.

PressIt consists of three compressors who work independently of each other. They are fed with the low, mid & high frequency band of the incoming audio signal. The compressor units consist of our unique algorithm from Korvpressor, developed together with engineers from KTH (Royal Institute of Technology) in Stockholm. They gently shape the three signals (with full control), and then sums it back into a nice unity. Before the audio leaves the plugin, there’s an optional brick-wall limiter to prevent digital distortion.

Pads is a thriving and organic pad synthesizer. It consists of a wavetable synth with a noise/grain generator and a high cut filter. With a carefully developed ”wobbler” that detunes the waveforms and makes very small inconsistencies to several internal parameters and a nice sounding chorus, this synthesizer is able to create some really interesting and non-statical pad sounds.

This fully featured monophonic synthesizer can create a huge variety of sounds. Fat basses, stabby leads, glitchy noises, old style chip tune sounds (including arpeggios), weird percussion, you name it. Enkl does the job!

Enkl comes with 93 high quality factory presets, all crafted by professional music producers. Of course it is possible to create new ones and save.

Haaze provides two different ways of making a mono (or a not-wide-enough-stereo) signal to a wider stereo signal.

By splitting the input signal into 16 different frequency regions, spanning from 20 Hz to 20kHz, Haaze can add different amount of stereo-widening to different frequency regions. This makes it possible to transform a mono track into a natural sounding stereo track (by for example keeping lower frequencies in mono while spreading the higher ones).

We are proud to present the RealLPC virtual guitar instrument bringing the incomparable Les Paul Custom Guitar sound to your studio.

Gibson's Les Paul Custom, a higher end variation of the Gibson Les Paul guitar has been used by the majority of world famous musicians, spanning generations and genres, such as Wes Montgomery, Al Di Meola, Pat Metheny, Chuck Berry, Jeff Beck, Peter Frampton, The Beatles, The Rolling Stones, Led Zeppelin, B.B.King, Bob Marley, Eric Clapton, Carlos Santana, Gary Moore, Eddie Van Halen and many others.

Esspresso is a fast, beautiful & powerful de-esser for everyone doing audio recording. De-essers have previously been aimed towards highly professional audio producers that needs full control over the sibilance (high frequency noises) in their mix. These noises can bring trouble to your overall sound – for example if you want a ”crisp” tone to the voice and add the EQ, the S’s will eventually distort and make it hard to balance the mix.

The uniqueness of Esspresso is that the detection frequency range isn’t coupled with the suppressors frequency range. That means you can listen to a specific frequency and compress another one, which is often what you’ll want from a professional de-esser. With a fast and accurate frequency response view, you will easily get full control over annoying S-sounds that otherwise can ruin the mix.

Based on research conducted between FAW and the audio research group at Maynooth University, Circle² brings you a new type of synthesis: Vector Phase Shaping. Unique and only available in Circle².

FULLY RE-WRITTEN AUDIO ENGINE
Circle² comes with a fully re-written audio engine. Better tone with improved low end depth and increased high frequency clarity. New factory sounds packed full of future leaning sounds.

Kuvert defines a whole new way of dealing with effects. In short, Kuvert allows you to draw five different envelopes. These envelopes control different effect parameters, and can be drawn freely or onto a grid. The envelopes are looped, while the incoming audio isn’t (unless you’re feeding it looped material of course). This is a powerful & fun way of altering your sounds to reach a whole new level, sometimes not even recognizable! Thanks to the looping nature of the plug-in, it will fit very well into any musical context. One way of using it would be to revitalize any looped material (such as beats) within just a few seconds.

Gaffel* is a tool that splits audio into different frequency bands. Using it on multiple channels lets the user create multiband effect(s) out of any other plugin installed.

Frequency parameters are globally synchronized between different instances of the plug in if they’re set to the same group, which makes it really convenient to work with in any DAW.

Grand Finale is a multi effect plug-in designed for finalizing complete mixes, stems, buses and/or individual audio tracks. The plug-in offers several modules in a pre-routed configuration. Each module has parameters to alter, and most modules offer a set of algorithms to select. These features come together to make Grand Finale a powerful tool for quickly finalizing a track, bus or mix.