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A dozen precision variations on “analog,” all in one EQ.Beautiful analog architectures, twelve in all, that will take your work out of the ordinary. ThEQblue builds on the groundbreaking foundation of Algorithmix's Classic PEQ Blue, while bringing that reference quality into the 21st Century. thEQblue is a collection of up to twelve minimum phase equalizer architectures, all employing 80 bit floating point internal precision. We reverse engineered a variety of well respected hardware EQs, creating idealized digital versions from that inspiration. Rather than models or simulations that carry analog "baggage," thEQblue has no noise, distortion or other secondary effects inherited from analog.

Why develop yet one more minimum phase parametric equalizer (PEQ) when there’s already hundreds on the market? The answer is simple…’Cuz there was room for improvement! It was customers of the original LinearPhase PEQ Red and Orange who asked Algorithmix to develop a classic EQ, for recording and mixing tasks, with unparalleled purity and transparency. Over several years, our Dr. Christoph closely analyzed many of the best out there, and compiled a vast knowledgebase of analog EQ best practices. Cherry picking from that, he implemented not just one or two, but an entire collection of trad minimal phase EQs. The result? A distillation of analog antecedents, while others are based on new ideas. We know you’ll enjoy our dozen variations of blue, newly revised by MAAT, and find your favorite sound.

A FILL-IN-FUSED COLLECTION.More than 700 fills, tailored for fusion. Fusion. “The process or result of joining two or more things together to form a single entity”. The general dictionary definition of the word applies perfectly to the music genre as well – it’s a mix of disparate elements from several genres that, put together, make perfect sense. In a seamless merge, it combines the complexity of jazz, the groove of funk and the raw power of rock, particularly when it comes to the drums.

A NEW SCHOOL OF GROOVE.Drum beats and fills ready for your modern eighties-flavored pop songs. Pop drums in the eighties were somewhat a marriage between two eras. At one end of the scale, drum machines and monotonous beats were forcing their way into the sound of the time, while on the opposite side, groove, feel and timing were more important than ever. Amid all this was the traditional drummer, caught in an age when technology came head to head with tradition. Producers introduced click-tracks on a larger scale, asked drummers to play with machine-like precision to not clinch with their sequenced parts and had them lay down their tracks as the first step in a production – all while session drummers like John Robinson, Ricky Lawson, Phil Collins, Manu Katché, Jonathan Moffet, Jeff Porcaro, Kenny Aronoff and Stewart Copeland rose to iconic fame and had more work than ever. This era is indeed a man-against-machine scenario, where drummers who bridged the gap the best came out on top. Who’ll ever forget those gated reverbs, larger-than-life drum fill breaks and machine-like beats? Interesting time indeed.

LARGER THAN LIFE.Grooves and fills inspired by the icons of rock. Ear-deafening guitars, screeching vocals and thunderous bass in all their glory, but at the end of the day, a rock song is only as good as its heartbeat – the groove. With the Arena Rock MIDI pack, we reclaim center stage and let the floodlights shine on the drummer. This is the ultimate collection for fans of every stripe of big, earth-shattering rock where the beat is not only important, but pivotal.

SIXTIES POP CHOPS.Pop grooves and fills inspired by the '60s pop and rock revolution. Transitioning from rhythm and blues, rock 'n' roll and soul to a more open sound, the '60s pop era is one of blurred lines when it comes to drums. Suddenly, drummers were caught in the midst of a musical and cultural revolution bursting with innovation, calling for new ideas, grooves and personality. Pop and rock players like Bobby Orr, Mick Avory, Keith Moon, Levon Helm, Charlie Watts, Mitch Mitchell, Ringo Starr and others in many ways rewrote the role the drums used to have in a pop or rock song.

In order to give track elements the classic 'telephone' treatment, options are limited: invest in an expensive speaker-simulation plugin, dial in your own fiddly processing setups from scratch, or laboriously reamp the signal through an actual speaker or phone. Surely there's an easier, cheaper way?

LONDON CALLING.EZkeys MIDI inspired by modern British pop. Adele, Ed Sheeran, Coldplay, Amy Winehouse, Sam Smith, James Bay, Ellie Goulding – the modern British pop wonder is more than a fact, it’s a force in motion, unstoppably charging through the worldwide charts. Inspired by this wealth of music, the UK Pop EZkeys MIDI pack dives headfirst into the treasure chest of British pop to come up with new ideas that you can use to craft your tracks from.

Classic algorithmic reverb plugins use a combination of short feedbacking delays to create the illusion of reverberation. These delays cause unwanted metallic resonances and sharp spikes in the reverb's frequency response. The denise team challenged themselves to create something better - a perfect room - and invented their TXVerb technology. Using this technology, the denise Perfect Room doesn't use delays for the tail and will enhance the character and colouration of any audio you run through it in an extremely natural way, sounding defined and tight from the lowest kick all the way up to the highest vocal.

Drumart is a VST/AU drum rompler for Windows and Mac users. Drumart is simple but big in sound, stock sounds are focused for any type of electronic music. Features:

GET YOUR BALLADS BACK ON TRACK. A profound collection of timeless rock grooves inspired by AOR ballads from the golden age of the '70s and '80s.

Presswerk is a powerful dynamics processor with a musical soul. An easy-to-use interface and a rich feature set give you hands-on control over all details of your sound. Presswerk doesn't emulate famous compressors, it blends the warmth of classic hardware models with developments that are only possible in the digital domain.

A flexible spring reverb box-of-tricks. If you're familiar with Bazille, you might already have come across its built-in spring unit. We took that one, then modelled two more reverb tanks, paired it with drive section, filter stage, envelope, and mod matrix. It emulates a hand-picked selection of the most popular units you will find in classic guitar and instrument amplifiers, recreating the odd character of real springs.

GROOVES THAT ROCK HARD.Drum grooves and fills inspired by hard rock music of the past four decades. Any decent drummer can play a basic beat, but not all can throw down a groove. There's a dichotomy between the two that sometimes is painfully obvious. One rocks, the other not so much. In this collection, Rival Sons' sticksman Michael Miley shows that his drumming undoubtedly belongs in the category that rocks. His sense of timing, feel, musicality and overall ability to play rudimentary drum grooves that just scream for a bass, a guitar and a vocal is second-to-none.

FOR YOUR EPIC METAL.Galloping beats, frenetic double bass drums, rampant tempos and crushing heaviness. Strip any given power metal song down to the bare bones of the rhythm section and a few simple but key elements emerge: speed, power, accuracy and extreme musical prowess. In respect of the drums, that's exactly what this collection of MIDI is all about. Think the likes of Helloween, Blind Guardian, Iced Earth, Sabaton and Dragonforce and you'll hear the galloping beats, the frenetic bass drums, the rampant tempos and, of course, the odd crushing heavy grooves with all the fills and epic parts to go with them.