Satori Channel

Satori Channel

Satori Channel. The Moment Mixing Becomes Clear.
Filters. Gate. Nine saturation modes. Compression. Transient shaping. Musical EQ. De-essing. Stereo generation. Psychoacoustic panning. Clipping. Limiting. Your entire processing chain, brought into one focused, musical workflow.

Not Another Console Strip
Traditional channel strips stop at filters, gate, EQ, compression and a little analog color. You still stack a
saturator, transient shaper, de-esser, stereo tool, clipper and limiter on top.

Satori Channel was built to be the only plugin most tracks need - to get a top sound fast.

Analog Thinking. Modern Workflow.
Many modern strips let AI decide what your sound needs. Satori Channel does not: every processor is built
on the behavior of classic analog chains, and every module is tuned to sound musical from the first
touch - the sweet spot is already under your fingertips.

Choose the character. Set the amount. Shape the result.

Nine Saturation Colors. One Click Away.
Nine distinct analog-inspired modes - from subtle warmth to aggressive destruction. Choose a circuit, dial
in with Drive and Mix, shape with dedicated High Cut and resonance.

Ed saturation mode
Clean, smooth preamp color with big transformers. The gentlest mode - safe on anything.

Bruce saturation mode
Modern hybrid Class-A color. Tight, clean and punchy with no softening.

Bob saturation mode
Vintage germanium transistor glow. Soft, rounded lows and a slightly hazy top.

Jack saturation mode
Big iron transformer drive. Adds weight and punch to the low end.

Dave saturation mode
Reel-to-reel tape saturation. Glues the sound and softens harsh peaks.

Andrew saturation mode
Single-tube character with a woody, midrange-forward tone. Good for adding presence.

Andy saturation mode
Rich three-tube warmth with a high-voltage supply. Thick and forgiving on vocals.

Joey saturation mode
Power-tube drive pushed hard. The loudest, most aggressive tube flavor.

Terry saturation mode
Solid-state overdrive with diode clipping. Gritty and edgy - great on drums and guitars.

Everything You Need to Shape and Finish a Sound
And almost everything works in parallel - each module has its own Mix control.

Filters
Flexible Low Cut and High Cut filters with two modeled behaviors - classic console and DJ-mixer style.

Gate
Control noise, bleed and unwanted tails: adjustable sensitivity, three release modes and parallel Mix.

Compressor
Amount and Mix - two immediate controls. Inside: a double-stage design (slow + fast compressors), sidechain
filter and Transient Punch. Slam adds a third, pumping stressor-type compressor.

EQ & Air
Two classic analog EQs: a three-band section modeled after a vintage British console and an Air band from a
famous mastering EQ - plus two notch filters for mud and resonances. Works in parallel.

De-Esser
Direct control over frequency, sensitivity and parallel Mix. Listen mode isolates the problem area; the
reduction meter shows exactly how much is applied.

Width, Stereoize & Haas Panner
Stereoize turns mono into a spacious, moving stereo image using tape-drift timing and pitch
variations - mono-compatible. Plus a stereo expander, LF mono maker, Phase Flip, L-R Swap and a Haas panner.

Clipper
Catch sharp transients: parallel Mix, adjustable Clip Ceiling and clear metering that shows exactly how the
signal is being affected.

Limiter & Level Match
Finish the chain: selectable output ceilings, input drive, gain-reduction metering. Built-in Level Match
compares processed and original at equal perceived loudness - judge the processing, not the volume.

Hand-Crafted Presets
Not the usual filler bank - every preset is dialed in by hand for all the main instruments, acoustic and
electronic. Pick one, and the whole chain is already in a musical place.

Parallel Processing Built Into the Workflow
Gate, saturation, compression, EQ, de-essing and clipping each have their own Mix control - parallel
processing without extra buses or duplicate tracks. Individual module bypasses make honest comparisons
instant.

A Complete Modern Channel
Not a random collection of processors

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