RHYTHMIC GLITCH ENGINE
The newest machine from the Lab: chop, pitch, morph and glide, all driven by one engine.
GLITCH STUTTER MORPH. LOCKED TO YOUR TEMPO.
FORM + FUNCTION
[01] CHOPS ON A TEMPO MAP. PITCH, REPEATS, REVERSE PER SLICE.
[02] THREE PEDALS, WIRED IN ORDER. RVRS, ECHO, M-PITCH.
[03] FOUR LFOS YOU CAN DRAW. PIN THEM TO ANY KNOB.
WHAT IT DOES
Any sound in. Cut to the grid, pitched, reversed, echoed. Then a star that turns a take into an idea.
[01] MORPH CONSOLE
The engine on one panel. MORPH sets how deep the chops go, GLIDE how the pitch slides between them. PITCH and CHOP are stepped: musical intervals, short or long slices, or random. SYNC locks the whole map to the host grid.
MORPH 0 - 100% PITCH OFF, +-3 5 7 12, RNDM CHOP OFF, SHORT, LONG, RNDM SYNC
[02] MORPH MAP
Two bars of sixteenths with the chops laid on them. Zoom from two bars down to a quarter. Roll the dice and the map lands on the strong beats; the bin clears it.
ZOOM 2B / 1B / 1/2 / 1/4 DICE TEMPO-AWARE
[03] MAP EDITOR
Draw the map yourself. Double-click to add or remove a chop, drag positions and lengths on a 1/16 grid, set pitch and repeats, flip reverse, draw the volume of every repeat. The filter and its LFO live on the same screen.
1/16 GRID PER-CHOP MIX REPEAT VOLUMES FILTER + LFO
[04] GLITCH SCOPE
A CRT screen that draws the input and every chop as it fires: pitch and repeat count on each marker. The same screen records the output to a WAV, and hosts the Magic star.
LIVE MARKERS +12 / -7 / X4 REC TO WAV MAGIC
[05] PATCH BAY
Three pedals wired in order. RVRS flips slices before or after the chops. ECHO is a worn tape delay with rate, feedback, cut and WEAR. M-PITCH loops a bar down to an eighth and slows it 2x or 1.5x. Every knob here is an LFO target.
RVRS ECHO M-PITCH 4 LFOS
RVRS > ECHO > M-PITCH
[06] MAGIC
Record anything, press the star. Rumor finds the loud moments, cuts the silence and builds an accent, a phrase or a loop on the grid. Reverse, stutter, sometimes a filter or a reverb. The last four ideas stay in the history. Drag the file straight into the DAW.
ACCENT / PHRASE / LOOP HISTORY OF 4 DRAG TO DAW
REC > MAGIC > DRAG
[07] IN AND OUT
Input gain in, output gain out, a bypass lamp between them. After the chain: master pitch, a soft safety compressor and a touch of saturation, then the MIX knob. Nothing leaves too hot.
IN / OUT +-24 DB BYPASS SAFETY COMP
[08] 100+ PRESETS
The [LAB] series ships inside the plugin and grows with every update. Favourites, search, user folders that become sections of their own.
FAVORITES / FACTORY / USER SEARCH FREE UPDATES
SIGNAL PATH
Seven stages, every one of them locked to the host tempo
WHY RUMOR
One panel instead of a pedalboard. What it replaces, and what that would cost.
FORMATS
VST3 AU
PLATFORMS
MACOS 11+ UNIVERSAL
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