THROAT
GOAT
Reshape any voice. Keep the pitch.
THROAT GOAT reshapes the vocal tract, not the performance. Move the formants, the gender, the tilt and the resonance, and the pitch comes out exactly as it went in. Not because it was corrected, but because the maths never touches it.
Change the voice. Not the take.
Every voice is a pitch and a tube. THROAT GOAT leaves the pitch alone and reshapes the tube, so a performance keeps its timing, its phrasing and its intonation while the character in front of it changes completely.
The tube
A vocal tract you can move
SHIFT lengthens or shortens the throat, GENDER scales the formants between male and female, FOCUS sharpens or softens the resonances, and TILT sets the brightness. Small moves flatter a take. Large ones make a different singer.
The pitch
Mathematically out of reach
The engine warps the spectral envelope and nothing else. Bins never move, the hop never changes, the phase is left alone. There is no pitch tracking to drift and no grains to respace, so there is no wobble to tune out.
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