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'Vocal Future Bass Volume 1' by Audiosample is a stunning collection of Future Vocal Bass that features a light speed collection of royalty free House samples including hooky synths and punchy drums for producers looking for the latest sounds for their main room productions.

Synthwave Level One es la librería exclusiva para llevar nuestras producciones a otros niveles musicales. Produce a estilo retro, de los 80 y 90 con un toque analógico y cálido que te harán distinguir de los demás productores.

DISCOVER THE BRUTAL SIDE OF SOUND Offering a curated selection of gore sound effects, the GORE MINI PACK is ideal for adding intensity to any combat or horror project. You'll find pre-designed sounds, as well as source recordings for creating and layering your own sounds. To capture the perfect splatters, drips and bone breaks, we've smashed and ripped various fruits and vegetables during the recording process. Make your fight scenes truly memorable or design blood-curdling organic mutations.

100+ drums and fx sounds40 serum presets 40 one shots 20 phrases

In the video, I create a drum and bass track from scratch using stock devices, focusing on crafting a unique kick drum, layering hi-hats and snares, and experimenting with bass lines and effects for a distinct sound. After laying down the basic structure, I plan to refine the track further, emphasizing the importance of detailed adjustments to achieve the final sound. Here's a summary of my experience creating a drum and bass track from scratch using stock devices:

This Bitwig Studio tutorial demonstrates creating a jazzy loop, combining techniques from previous videos. The process includes: Chord Progression Creation:Using a Wurlitzer from Bitwig's Electric Keys package.

Asphericon is a hybrid sampler-instrument with 24 beautiful, multi-sampled guitar, tube and bell instruments. Each instrument has different layers (variations) that can be blended together with a few button presses.

This video is a tutorial on replicating the EFX Refract plugin by Arturia in Bitwig Studio, emphasizing the use of Bitwig's grid. The main points include: Refract Effect Replication: Replicating the basic concept of EFX Refract, a chorus-like effect, within Bitwig. The tutorial doesn't replicate the 3D interface or the harmonizer of the original plugin.

In this Bitwig Studio tutorial, I explored creative EQ modulation techniques using the Polymer synthesizer with a saw wave, the EQ+ device, FX grid, and voice stacking. Here's a concise overview:

Songbird is a MaxForLive audio instrument. It features a simulation of a flock of birds, each bird having its own model of a syrinx (a bird vocal organ) as well as a model of a simple birdbrain that controls the syrinx to create different syllables. Each bird's position, speed, angle, etc in the flock can be mapped to various parameters as modulation sources. This device yields anything from textures, drones, rhythms, harsh/haunting/noisy/pretty tones, generative soundscapes, odd melodies, and of course different sounding bird calls!

I crafted a tutorial on how to use an envelope follower in Bitwig Studio to modulate the frequencies of a filter on a bass track using the amplitude of drums on a drum bus. This approach aims to create dynamic interaction between the bass and drum tracks, preventing the bass from sounding too static and lifeless. Here's a summary of the key points:

Samsara is a granular looping max for live device that allows for individual control of each grain (or voice). This means that you can set these parameters for each grain individually: start position, grain size, pitch, filter center, short delay time, panning and gain. Samsara is an audio effect and so you can record incoming audio into the buffer to apply the granular looping on. There are several different record modes which makes Samsara useful for live performance looping as well.

Wowow! Here are a buncha presets for the VST synth: Vital!

This is a max for live audio effect. The water ripple simulation has two “listeners” that “listen” to slices of the simulation (one listener on the x-axis and one on the y). These listeners can either be an FFT filter or an oscillator bank providing results from lofi/harsh to smooth and pretty. The values of the water on any point of the segment the listener is listening to set the amplitude values of the FFT filter/oscillators. Water ripples can be made either by 2 automatic “drips” or by clicking/dragging the simulation with the mouse (mouse clicks can also be recorded and looped). Additionally, walls can be created in the simulation to control the water flow. For the FFT filter, the input can either be the audio input on the track, and/or from an internal noise oscillator. There are various settings for controlling the water simulation, listeners and automatic drips. The device contains no internal LFOs to keep things simple, but it is highly encouraged to use mod sources like the max for live LFO to create dynamics the listeners :). 100% of sales for Ripple Filter will be donated to charities and organizations fighting against injustices, promoting human and animal rights, and protecting the environment

Rhythmorphic is a max for live MIDI Effect. It has four sequencers that can create “non”-euclidean sequences (patterns that are not evenly distributed) by morphing or warping a euclidean sequence by the topology (brightness values) of an image or video. This allows for complex and unique patterns to be generated and modulated. There are several options for image sources (texture generator, dropped image/video files, and a live camera). There are also various options for changing the output MIDI note and modulating just about everything for the sequencers and image settings!