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We're proud to present volume 4 of our Car Music line. After the major success of the first 3 packs, which were used by the biggest names such as Tujamo, VINAI, Merk & Kremont and many more top 100 DJs, we wanted to follow up with something massive. Car Music Vol. 4 is even bigger and better than the other packs from the Car Music line.

A collective of drums & melodies curated by Zens. 5 drum fills 11 kicks

Unison MIDI Blueprint Expansion Pack: 18,500+ Genre-Specific MIDI Files (have all the chords & progressions you need to consistently finish radio-worthy music in 10 genres)

With Neon Slap House, we've put together an essential production resource covering all of the sounds and rhythms you'd need for one of the biggest subgenres of EDM, inspired by some of the biggest names on the scene. Take your tracks from the studio to the mainroom and festival stages of the world with this extensive collection of chart-topping sounds equally suited to Brazilian Bass and Deep House.

This drum kit was created by KILLSJ and consist of over 100 different drag and drop sounds! They work inside any DAW. This kit pairs very nicely with the "KILLSJ Sound Kit" watch the tutorial below to see how we use both the kits!

Includes: 10 mixer presets 20 loops

That 80's Miami Vibe PRISM Retro Pop Drums is a Kontakt instrument featuring over 30 sleek drum snapshots inspired from iconic 80's pop songs. Each sample in the collection is designed to deliver an unmistakable Retro Pop / Synth wave sound.

In this collection of EZbass MIDI, we return to the heartland of American songwriting tradition to offer complementing basslines to the Americana EZkeys MIDI pack. In Americana, it's all about painting the bigger picture and getting the story across without overplaying or overdoing. If classic acts like The Band, Tom Petty and Bob Dylan or contemporaries like Ryan Adams and First Aid Kit strike a note with your creative nerve, this is your jam. Expect basic and to-the-point bass grooves that manage the balancing act of combining melody, harmony and rhythm without ever getting in the way of what matters the most in any facet of the genre: the song.

The iconic basslines the likes of Carol Kaye and James Jamerson blessed countless 'Motown'-era records with didn't only sprinkle a noticeable amount of magic, they also underlined the importance of the bass as a melodic as much as a rhythmic vehicle. In fact, in many ways this incomparable chapter in music history carved out a new role for the bass, which resonates to this day.

SILKY SMOOTH.EZbass MIDI inspired by Latin ballads from the '50s through to today. The rhythmic heartbeat of Latin music is ever-so-present regardless of whether it be wildly busy uptempo songs or, as in this case, ballads. The bass, of course, is as unquestionable and integral in this cosmos as the rhythm itself. What would a laid-back bossa, salsa or cumbia be without the forward drive of the bass?

In most singer-songwriter material, the vocals, the lyrics and the melody are often what remains in the focal point throughout. This collection of EZbass MIDI was designed to give the demanding songwriter a fundamental battery of basslines with just that in mind. Expect laid-back and smooth grooves designed to not eat up space but rather help embellish chord sequences with stylish, mellow and sophisticated transitions and variations.

What would an exquisite brushed train beat be without the cadenced thump of the bass? A smooth jazz groove without its mandatory walking bassline? A basic backbeat without the accented rumble of the bass to back up its twos and fours? To be honest, a rhythm section without all its cog wheels spinning in perfect symmetry is simply a stumped machine running at half capacity.

Goth, the offshoot of post-punk that paved the way for not only fashion, literature and film but also an entire sub-culture, truly defined an era. Spearheaded by the likes of The Cult, Type O Negative, The Sisters of Mercy and many more, goth and its aesthetics went from underground to mainstream and threw a cloak of horror-esque romanticism over the '80s and '90s. Since, it of course splintered off into numerous subsets and made its way into all kinds of styles during the decades to follow. Still to this day, goth is very much alive and thriving.

A great song doesn't always need the big production bells and whistles. It just needs the right words, a great melody and that whoever performs it truly believes in it. In the end, it comes down to expression.

Even though the American folk music revival may have peaked in the late 1960s, pioneering artists like Woody Guthrie, Bob Dylan, Joan Baez, Judy Collins and Peter, Paul and Mary blazed a trail for a whole ecosystem of singer-songwriters who have carried their legacy and songwriting tradition into the modern day.