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Our world is in turmoil, a giant alien being has arrived to wipe us out! Whole cities are being obliterated by its all-consuming sound waves; dark downtempo beats, moody dirty bass and strange alien dialogs are being amplified tenfold from the creature, its sounds and movements seem slow and heavy but the destruction in its path is devastating - so far all military efforts to stop it have been hopeless the only safe place is to be deep underground.

"The sub bass, or "808" is one of the driving forces behind modern music. Whether it's TRAP, dance, pop or r&b, bass texture usually plays an important role. The 2 basic characteristics of the "808" bass are overtone and timbre. Here, I've created a collection of textured 808 sub bass one-shots using state of the art sine-wav manipulation, each with its own unique and distinctive qualities, based on "key", "tone", "attack" & "sustain". This collection of very special 808s is sure to play an important role in any and all of your own personal productions, for years to come." - !llmind

“Auras" Sample Pack includes 32 original compositions created by Synthetic and Fez in the style of Lil Uzi Vert, Playboi Carti, TyFontaine, Virtual, Hyperpop and many more!

Ghost Syndicate welcomes you to the shady London neighbourhoods with STREETS, a fresh UK Drill Sample Pack. STREETS is a must have weapon for producers wanting to convey their own street stories through morose beats.

Fiori and legendary sound designer Ocean Veau have teamed up this time to bring you an collaboration that wil leave you 100% in your bag. The SUGE ElectraX XP & Drum Kit will have you cooking up spacey, bouncy trap beats like never before. With 50 new wave presets for ElectraX by Ocean and over 100 original, non-recycled drum samples by Fiori, the SUGE XP will be the level up you needed.

40 custom made loops created by John Luther of MiraTouch/Internet Money.

"I've always thought of my drums as an orchestra. I like to create a melody with my drums when I play. I like to make them sing." Tony Allen needs no introduction. He revolutionised the musical landscape of an entire continent influencing the course of Western pop music. Born in Lagos in 1940 Tony never took up traditional African percussion. Listening to the recordings of the great American bebop drummers Art Blakey and Max Roach, he invented a technique that he gradually refined by honing his command of the cymbals, in particular the hi-hat, little used by African drummers - and the tom-toms.

"I've always thought of my drums as an orchestra. I like to create a melody with my drums when I play. I like to make them sing." Tony Allen needs no introduction. He revolutionised the musical landscape of an entire continent influencing the course of Western pop music. Born in Lagos in 1940 Tony never took up traditional African percussion. Listening to the recordings of the great American bebop drummers Art Blakey and Max Roach, he invented a technique that he gradually refined by honing his command of the cymbals, in particular the hi-hat, little used by African drummers - and the tom-toms.

"I've always thought of my drums as an orchestra. I like to create a melody with my drums when I play. I like to make them sing." Tony Allen needs no introduction. He revolutionised the musical landscape of an entire continent influencing the course of Western pop music. Born in Lagos in 1940 Tony never took up traditional African percussion. Listening to the recordings of the great American bebop drummers Art Blakey and Max Roach, he invented a technique that he gradually refined by honing his command of the cymbals, in particular the hi-hat, little used by African drummers - and the tom-toms.

Introducing: The Unison Ultimate One-Shot Bundle The worlds first and only collection of professional-quality one-shots that's guaranteed to help you create music that's memorable, unique, and help you stand out from the competition.

Spinnin Records presents expertly-crafted, massive techno sounds for producing the ultimate heater The enviable Spinnin Records presents expertly-crafted, undeniably pure techno samples. Make sure your fans are hydrated because this pack will turn any production into a banger so electrifying, the dance floor won't know when to quit. You'll find every element of techno you can imagine - claps, shakers, snares, kicks, rides, top loops, effected one-shots and melodies, and so much more. If you're looking to go massive and produce the ultimate heater, this collection is for you.

From Bach to Mozart, Beethoven to Wagner, this pack breathes new life into the most iconic melodies of all time, available for the first time together in sample pack form. Recorded by some of the best orchestral musicians in NYC, this pack includes both full orchestral segments as well as individual instrument parts, as well as modernized, “flipped” versions.

'Celestial - Orchestral Texture Loops' beams down from the ModeAudio studio like a colossal shaft of radiant light, casting a galaxy of luminous colour and pattern on the ground beneath your feet.

Folk Rock Drops Volume 2 contains 17 drum tracks taking influence from a range of mainly modern folk rock tracks with a few old classics thrown in. The tracks were once again played by Folk Rock drummer Martyn Barker and recorded and mixed by legendary Producer / Engineer Phill Brown. Recorded at the historic Miloco Livingston Studios in London in the brighter sounding live room this kit was close mic'd. The kit used was Martyn's 1980's Gretsch Maple 4416 Kit.

Folk Rock Drops vol. 1 contains 16 drum tracks taking influence from a range of folk rock tracks. Most of them are based on songs from the 60s and 70s. The drums were played by Folk Rock expert Martyn Barker and recorded by legendary Producer / Engineer Phill Brown. The album was recorded at the historic Miloco Livingston Studios in London using a 1966 Vintage Ludwig Hollywood Kit.