Monomono Mono Two by Monomono

Patchable mono synth for Ableton Live
Two oscillators, a patchable signal path, dual resonant filters, and a morphing LFO: Mono Two puts the expressive, semi-modular spirit of early 1980s analog design inside Ableton Live. From deep, rumbling bass lines to slicing leads and animated textures that shift with every patch connection made, the sound engine rewards exploration because every routing decision changes the character in ways you can hear immediately. A full PDF user guide is included in your download.

Two oscillators: VCO 1 covers triangle, sawtooth, PWM square, and noise with a Pulse Width dial that sweeps from a full hollow square to a thin buzzing sliver; VCO 2 adds sawtooth, two fixed pulse widths, and ring modulation against Osc 1, plus a Pitch knob that detunes up to plus or minus 12 semitones
Dual resonant filters in series, high-pass into low-pass, each switchable between OTA and Korg35-style topologies with circuit-accurate saturation, independent Cutoff and Peak controls, and both capable of self-oscillation
Morphing Modulation Generator: one LFO whose Waveform dial continuously morphs from falling sawtooth through symmetric triangle to rising sawtooth, free-running from 0.1 Hz to around 20 Hz or tempo-synced to Live with phase reset on transport and per-note reset
Onboard patch bay with 15 modulation sources and destinations including MG triangle, MG square, EG1, EG1 inverted, EG2 inverted, Mult, VCO 1 PWM, VCO 2 CV, TRIG IN, EG1 TRIG, MG Wave, and MG Freq for complex self-patching architectures
Two envelope generators: a fast three-stage EG1 (Delay, Attack, Release) for pitch and filter hits, plus a full five-stage EG2 (Hold, Attack up to 16 s, Decay, Sustain, Release up to 29 s) driving the VCA, with Legato and Unipolar/Bipolar toggles
Dedicated Frequency Modulation section sweeping both oscillator pitches together, with LFO depth and percussive EG1 pitch snap, plus TOTAL and FREQ 1+2 patch inputs for simultaneous VCO and filter modulation
Portamento with Off, All Notes, and Legato modes, letting playing style determine whether notes slide or snap
Stereo Spread using component-tolerance-style pitch and filter drift between channels plus chorus, and a Back Panel with pitch wheel range, aftertouch, and MPE destinations alongside per-channel serial-number tolerances for analogue-style stereo character
Full MPE and aftertouch support for expressive per-note control, with Push 2 and Push 3 Standalone compatibility
4x oversampled filter and output stage for pristine audio quality