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AudioRain is AudioWind's little brother and offers high quality rain sounds. Shape your rain sound in real time, work from the small drop to the shower. Have it your way even in 5.1 channel audio.

AudioSpace is a synthesizer dedicated to the emulation of space ambiance sounds. The synthesizer is based on AudioGaming's dynamic modeling technology and uses no sampling. That is, it produces sounds by solving, on the fly, mathematical equations modeling multiple aspect of a what could be the rumble made by different kinds of large ships. This complex synthesis engine responds dynamically to the control signals it receives and exposes high”level controls carefully mapped to the low”level synthesis model.

A Unique Approach To Equalizing Ceilings Of Sound PRO takes a truly unique approach to equalizing sound and is the first equalizer to incorporate the spectrum of noise as equalization "knobs". 15 user-definable ceiling bands containing 49 noise-slopes each allow you to create sonic-ceiling shapes that drive the settings of a 50/31-band Linear Graphic Equalizer. The EQs operate at 0 latency, low CPU load yet are hi-precision, even at the low frequencies where it really matters. A "conform spectrum to ceiling" feature conforms your EQ to your ceiling shape with a click of a button. 49 ceiling guides help you balance your ceiling shapes to equalize faster and better than ever. This means whether you're working with one of our hundreds of presets, one of your own created presets or simply manipulating the ceiling shape of your raw audio during mix-down/mastering, perfect equalization is a "click" away. We are certain that once you beginning using Ceilings Of Sound PRO you'll quickly discover why it's called a Hyper-EQ.

Peacock can be used on a stereo bus to create the classic vinyl sound. On individual tracks it is also very useful in creating large fat sounds, smoothing of the harmonic content and making a nice smooth vintage sound on vocals and other instruments.

A Unique Approach To Mixing The Mix monolith is another industry first from Ayaic. It is an "Automatic Mixing System" that allows you to level your mixes perfectly in any environment. From individual tracks, to buss groups, to FX channels, to your master fader, Mix Monolith will create a mix that is balanced and open with just a click of a button.

Designer Dave Hill has crafted this software with the same attention to detail he used to create the electronics for ATR Service's much heralded "Aria" discrete tape recorders. His intimate knowledge of analog electronics, as well as decades of experience as a recording engineer has spawned a very useful, musical suite of plug-ins. The Phoenix II process not only incorporates the nonlinear saturation characteristics created by magnetic tape itself, but also includes the interrelation of an analog tape recorder's record/reproduce electronics and equalization curves. Phoenix II is a ground-up application derived from HEDD technology, and specifically engineered and optimized for Avid's PT 10 architecture.

RA is a Nonlinear plug-in for the professional Audio Engineers that demand the most from their plug-ins. The plug-in can be thought of as an amplifier that is being over driven, (Wave Form Compression), but there is control over what part is being overdriven. An analogy from photography, it is like the curve function.

AR-1 is a variable-mu tube compressor whose roots are in the raucous sound of the rockin’ American 50’s, yet it enjoys a posh, tea-sipping British image thanks to its use at Abbey Road Studios in late 60’s, notably on the later Beatles and earlier Pink Floyd records. Kush painstakingly captured the sweet breakup of AR-1’s beefy tubes being driven into the dirt, then added more than a half dozen significant UI and functional enhancements. The resulting emulation is every bit as chunky as the original, and 10x more flexible

With high shelf and low shelf EQ , damping controls and flexible graphic interface, Babelonne-D Digital Reverb gives you the flexibility you need from a reverb effect. It will create extraordinarily natural-sounding virtual acoustic spaces. The result is sound so real and not artificial.

Smoothness and transparency. BeComp is a dynamics processor that will change the way you use and think about compressors and compression. The inherently rich and colorful tone of the BeComp helps glue tracks together. The BeComp is the thickest and heavy sounding compressor/limiters. it's also quite handy for pumping up individual tracks. It comes in mono, mono -to- stereo and stereo versions.

Even- order harmonics produce smooth, musical characteristics as opposed to odd- order harmonics, which tend to sound harsh. FD1/2/3N ' tend to introduce some degree of even-order harmonic distortion that produces a “warming” effect by thickening the overtones of the original signal.

The H.L.S Drive plug-in amazingly emulates the rich-sounding Tube saturation behaviors that keep radical EQ moves sounding ultra-musical, even at extreme settings. It is based closely on the Type 69 EQ which is very musical. Add character and clean up a mix with H.L.S Drive.