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Wanna Wake - is a young Kiev based DJ and producer duo, known as one of the brightest and most promising representatives of the eastern Europe bass music scene. They are not afraid to do a lot of experiments and blur the lines between genres to make their music go beyond conventional limit. Even though the project is pretty young, several successful releases have already been made which helped guys to gain a lot of popularity on the domestic market as well as outside the border of their origin. For a short period of time Wanna Wake received a large number of positive feedback from its own audience and from famous artists. Their tracks are played on the biggest festivals throughout the world, and supported by such major artist as Diplo, 4B, Afrojack, Spag Heddy, Tokyo Machine, Sophie Francis, Major Lazer, Ray Volpe, Laidback Luke and Ummet Ozcan.

Join us at Manhattan Beach recording studios for a series with the supremely creative mixer Tchad Blake! Known for working fully 'in the box' while thinking far outside of it, Blake continues to impart his unique stamp on records. Focussing on the mix of 'All These Things' by Thomas Dybdahl, Tchad reveals his latest innovative techniques for achieving his revered sound that oozes character. After comparing the rough mix to his final, he takes you through all the treatments used on lead and backing vocals, drums, piano, bass, guitars, and the mix buss. With the Pro Tools session open, he demonstrates exactly how he applied compression, EQ, distortion, gating, transient control, spatial enhancement, and much more!

Join the distinguished producer and musician Larry Klein for a series on making a modern jazz record by Norah Jones and Kandace Springs! Hosted at his private studio, this installment goes deep into the project's inspiration, musicality, and spirit. Klein gives us the background story of the venture, recalling how the two singers met and decided to work together. He discusses how important it is to remain focussed on the "overall picture" while running a session of this kind, rather than getting hung up on technicalities. Larry shares his approach to having studio time run smoothly by encouraging creative output from artists while holding the reigns of direction as a supportive producer. Aside from sharing his vast experience with the psychology behind reaching artistic potential, he also comments on the music itself. Klein elaborates on arrangement, structure, performers' interplay, melodic roles, section contrast, and more!

Join us at Sphere Studios in Los Angeles with the producer and engineer Nick Launay! In this series, we take a detailed look into the creation of the record 'As a Man' - a song by the singer and guitarist Anna Calvi. Using a hybrid setup of Pro Tools, a Neve 8078 console, and an outboard mix chain, Launay demonstrates his techniques and recounts the journey taken for the project. In addition to explaining his tracking and production approaches, he shows his treatment used on vocals, live drums, samples, percussion, guitars, bass, and the mix buss. He discusses his production philosophy, inspiration, development of new methods, and the four main stages of his current mixing workflow - the home mix, studio mix, stem mix, and parallel blend. Nick elaborates on the pros and cons of analog and digital workflow, and shows a fascinating way of altering specific parts within a stereo mix by inverting the phase of stems.

Join us at the prestigious Electric Lady studios in New York to learn from iconic mixer Michael Brauer! In this series of 'Inside the Track', we look under the hood of the 2016 rock single 'This House Is Not for Sale' by Bon Jovi. Brauer auditions and comments on the high-quality rough mix provided by the producer and guitarist John Shanks, then discusses potential improvements. Using an SSL 9000 J Series console, he reveals his hybrid processing on drums, bass, guitars, piano, pads, and vocals, guides you through his 'ABCD' multi-buss template, and shows the parameters of his master chain. He also discusses pre-compression signal levels, automation moves, overall dynamics, artist requests, and more!

A 'lofi flavor' beast - Feel the lofi vibes of the VHS era. As kids of the 80s we have always been drawn to the sound of slightly out-of-tune synths, warm tape saturation, gritty samples and grainy reverbs. So we set out on a mission to capture the lofi spirit of our favorite decade - and bring it into a new decade.

"PRE 01 - Astral 880" expansion for Infinity, designed to emulate classic sounds. Uncompressed Astral 880 contains 1.83 GB of data.

We are thrilled to present our second video series with chart-topping mix engineer Jaycen Joshua! This instalment focuses on another hit by the Spanish artist Rosalia - 'Yo x Ti, Tu x Mi' featuring Ozuna. Jaycen recounts the way in which he mixed the official release in hybrid fashion using a SSL 9080 XL K-Series console, then reveals how he crafted a sonically competitive remix entirely 'in the box'. He goes into great detail on his Pro Tools template and innovative processing techniques on a variety of source material - lead vocal, ad-libs, steel drums, 808, kick, snare, percussion, and more. Noting the style of producer 'El Guincho', Joshua demonstrates how the record can be enhanced for the pop market whilst retaining its cultural aesthetic. Aside from sharing his clever mix methods, Jaycen elaborates on a number of crucial subjects including apparent loudness, preamp choices, monitoring, taste vs. technique, and a lot more!

Spice up your tracks with the Riemann Background Noise and atmosphere loops and create noise rhythms with the oneshots! Between the drums there is often something missing which cannot be filled out with more drums or reverb. In this pack you can find the missing element which are noise soundscapes and atmospheres. Simply put them in low volume below your beats and sidechain them with your drums and put a filter on top for instance or layer them and put a chorus effect on top. The noise loops are perfect for modern Industrial Techno and Dark Techno but also useful for all other genres where a dirty organic sound is needed. The 50 one shot samples contained in this pack can be used in hardware sampler like Akai MPC, Analog Rytm or MASCHINE as well as in all software DAWs like Ableton, Kontakt, FL Studio, Logic Pro, Cubase etc. to create interesting subtile rhythmic noises.