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It’s probably one of the most essential effects in audio effect processing, even before widely used in music. It all started in the 1940s, where studio engineers utilized multiple tape machines to create repeats of a signal for creative uses. Along with the advancement of technology, this particular kind of effect is still developed continuously with more features, new sounds, and modern routing possibilities. On the other hand, many players still seek for classic delay sound that can be heard on a great number of timeless records.

Limited-MAX is a specialized limiter, based on the foundation of being a capable look-ahead brickwall limiter suitable for final mixing or mastering. Limited-MAX dynamically combines several unique limiting algorithms to provide transparent limiting on all audio sources. Limited-MAX is capable of substantial levels of compression/limiting without inadvertently creating excessive amounts of audible distortion.

Shreddage 1 / Classic is now Shreddage 3 Legacy! Features our original, legendary drop-tuned 6-string guitar with a brutal heavy rock and metal tone. Now upgraded to the S3 Engine with many more samples, more realistic performances, and 30+ included FX (amps, pedals, cabs + more!)

Clipped-MAX is multifaced clipping tool designed for a wide range of mixing and mastering applications – from subtle to extreme. Clipped-Max includes 4 distinct clipping modules that can be rearranged to produce a variety of effects. Built into Clipped-MAX is minimal and linear phase oversampling that extends to 128x.

In simple terms, EZkeys Cinematic Grand is a prepared piano – a traditional instrument that’s had its sound altered by objects placed on or between the strings. But in this case, that’s simplifying too much. EZkeys Cinematic Grand presents an all-new hybrid instrument where perfect fidelity meets altered harmonics and layered textures to form never-before-heard piano timbres. Based on a classic Bösendorfer from 1891, this one-of-a-kind instrument was recorded in four individual configurations – one where horsehair was used as a bow on each piano string (‘Bowed’); one where the strings were struck by hand (‘Plucked’); one where various preparations were added to generate a muffled tone color (‘Damped’) and, in opposite, one where the overtones were exaggerated, producing an ambient and soaring timbre (‘Harmonic’).