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As a child prodigy, Junior Sanchez was playing some of the hottest clubs in New York at just age 15. Skip forward a few years later, and he’s producing some of the finest house music in the scene and becoming one of the most in demand producers and DJs on the planet. With remixes and productions for Madonna, Daft Punk, Louie Vega and more, plus over 20 years in the music industry under his belt, you can imagine we’re super excited for his first full course with Toolroom Academy for FaderPro.

How many times have you wanted a simple, clear explanation of EQ, but instead been confused by all the endless technical jargon? How many times have you sat there scratching your head, wanting to EQ your drums, vocals and the whole mix, but not known where to start? Do you know what sound you want, but always find yourself just aimlessly twiddling knobs and hoping for the best?

THE FUTURE is the ultimate “future house” and “future bass” pack for Native Instruments Massive. Not only did we carefully capture the design process behind the sounds of the biggest dance music artists such as Oliver Heldens, Flume, Don Diablo, Martin Garrix, Curbi, and more, we also meticulously designed these sounds to a level that you have never heard before on Massive.

Empty Fields – F.1 (F stands for Field) for Zebra 2 is the first in a series of soundsets inspired by the beautiful empty landscapes and the nature surrounding us. This time no cinematic sounds or heavy trailer orientated sounds. Now its time for soft and evolving ambient pad sounds, icy plucks and arps, intimate leads and quircky fx patches, mysterious soundscapes and some fun sequence patches.

Adam Monroe's Mark 73 Electric Piano was sampled from a 1976 Rhodes Mark I Stage Piano. The entire keyboard was wrapped in tinfoil, which virtually eliminated EMI noise. The piano was sampled DI through a Radial Pro 48 DI box, and the signal was routed to a Fender Deluxe Reverb amp, recorded relatively clean through an AEA R84 Ribbon Mic and AEA TRP Preamp.